Rick Schamle (1999) is a Graphic designer who studied at Artez, Arnhem. He is a graphic designer with a strong focus on typography, visual systems, and image-making, both moving and still. In his work, he explores how form, rhythm, and structure come together to create meaning. Typography plays a central role, often serving as a building block for larger visual compositions. He works conceptually and experimentally. By combining still and moving imagery, he develops designs that respond, evolve, and communicate across different contexts. His practice moves between print and digital media, where he actively explores new techniques and tools to further develop visual language.
Block-type
Where is?
Marrøn typographic noise
Bijlmer Bajes Month announcement
OnSpotOn
Levenslang x ADE ‘24 video
Levenslang x ADE ‘24 stills
Stickers for phone cameras
Book cover Alejandro Jimenez
Under The Cube video
Under The Cube
Transformer made of memories
Samurai 7 DJ school
Blueprint
Poster
Typography/Animation
Motion design
Motion design
Audio-Reactive poster
Typography
Video/Music
Poster/Animation
Identity/Typeface
Posters/Stickers
Animation/Poster
Animation/Poster
A/V Installation
Poster/Animation
Publication/ identity
Stills/Animation
Logo/Identity
Publication
Typography/Poster
Publication
Typography
Film/Design
Identity/posters
Music and Animation
Typography/Animation
Motion design
Motion design
Audio-Reactive poster
Typography
Video/Music
Poster/Animation
Identity/Typeface
Posters/Stickers
Animation/Poster
Animation/Poster
A/V Installation
Poster/Animation
Publication/ identity
Stills/Animation
Logo/Identity
Publication
Typography/Poster
Publication
Typography
Film/Design
Identity/posters
Music and Animation
Photo Novelle
Video Installation
Print/Sticker
Bookcover
Moving Image
Animation
Identity
Screenprinting
Identity/Animation
Animation/Identity
Video Installation
Print/Sticker
Bookcover
Moving Image
Animation
Identity
Screenprinting
Identity/Animation
Animation/Identity
STRANGENESS IS is an audio/visual installation consisting of four LED screens, a rock, two tractor tire tracks, two speakers, a sub, moss, and water. It explores our relationship with non-human entities. The sound moves from strange to familiar, interacting with video that shifts between separation and unity.
The work draws on Object-Oriented Ontology (OOO), a philosophy that argues for the equality of all beings: human and non-human. It challenges anthropocentrism and the way we “other” the world around us. The installation asks you to treat the stranger with care, to see that strangeness is earthy, cautious, intelligent, and relational.